>>8774
"Fair enough, then. I suppose that keeping safe should be prioritised over further investigation. I'll come with the rest of you."

>>8781
I nod in agreement.

"It's possible that the chapel has something to do with the epitaph, but I think it would be too dangerous to move around in a small group. What happened to <Mister> Tomitake and <Mister> Genji shows that the culprit is waiting for us to isolate ourselves. Even all three of us together might not be safe."

You all move to the parlor and lock the doors and windows, and close all of the curtains. The NPC's are all still very much so in shock. It's now gotten to evening, and nobody has eaten anything all day. The stress appears to be getting to all of them.

I look around the room, counting the people to make sure nobody has gone missing without us noticing again.

Then I'll question everyone regarding their thoughts on the culprit's identity and motive, as well as whether they have any idea what might have happened to Genji.

>>8804
Nobody is missing.

There is some thought as to whether or not some mystery person may have made it onto the island. There is also a few people who think perhaps Genji is behind everything. There may even be more than one culprit, as some are led to believe.

>>8811
"I see."

I'll ask them whether they have any thoughts on how the closed rooms could have been constructed, and then I'll wait until something happens.

So, what's up ? Is this dead ?

I do intend to finish this, I'm sorry that I cannot give an exact date as to when it will start again.

>>9636
Alright. Do what you must, I'll be waiting ~

>>8815
None of them really respond, most of them are either too emotional or too concerned about just surviving.

You sit around for what feels like a thousand weeks on end. Silence and tension pervades the room. Hideyoshi, who looks deep in thought suddenly shoots his head up, causing everyone to notice immediately. The looks in his eyes carries a unwavering resolve. He clears his voice and begins to speak.

"I've gone through this in my head over and over, and it seems like the greatest likelihood is that the culprit is among the servants. Sure we may be safe in a wolf and sheep puzzle assuming we have more sheep than wolves, but that requires we remain vigilant. It is so much easier and so much safer for me and my son to simply kick all of the servants out of the room. Ergo, leave. I'm sure among you servants the culprit lies."

"Father, what are you saying? Why would any of them want us dead?"

"The motive does not matter at this point, they want us dead and I must prevent that. The master keys make it all too easy for the rooms to have been set up. It would be far too much trouble for a person without a set of master keys to be able to move about in the mansion."

"You intend to kick them all out? Even Genji-san died! The culprit must surely still be out there. We're all safe in here! We'd be sending them to the wolves."

"That's what they'd want us to believe! They are intending to kill us when we let our guard down! If they're gone then I can known for sure that we'll be safe!"

"Then what about all these damned guests?! They're just as if-not-more suspicious than the servants!"

"I've been watching them, they've lacked opportunity in many of these cases. Besides, one of their own perished as well. I'll deal with them after the servants are-"

A voice, neither George's nor Hideyoshi's, cuts through. "Very well." It is Shannon, who has a look of bravery in the face of terror. "If that is how it has to be, then we will all leave."

"Sayo... no please. You can't. It's too dangerous."

"George-sama, it's alright. Hideyoshi-sama demands that we leave. We, who are servants, must obey the orders of our masters."

"You're not furniture! You don't have to listen!"

"I never said we were, just that this is for the best. There is no better way to clear our name"

"But then...... very well, but I'm going with you."

Hideyoshi, aghast at this statement quickly shouts "George! Don't leave this room! I'm kicking them out for the sake of your safety!"

"I have to father. You can be a hero and save everyone else, but I love Sayo. I have to protect her! If this is the way it has to be, then so be it!"

"How dare-"

But George doesn't stay around to listen any longer. He grabs Shannon by the hand and the two of them rush out of the room together. No one else even has time to react.

A loud noise suddenly reverberates in the room. A bang, which echoes to the horror of all of those who hear it. A scream follows, one which you can clearly tell is female.

"Goddamnit, get a freaking clue you people !"

I rush out of the room and inquire what the hell is going on

>>9830
Not two steps outside the room you find your fears are realized. A grizzle sight indeed, George lies on the floor, hemorrhaging profusely from a wound on his chest. Shannon stands there completely frozen between fear and woe.

Hideyoshi and Nanjo are next to make it outside. The rest of the group appear to be crowded around the doorway, trying to get a good look.

Dr. Nanjo immediately gets to work on a preliminary autopsy, the results of which identify the cause of death as loss of blood from a gunshot piercing the aorta.

Hideyoshi, by now, is in tears and mild hysteria. "You killed him, didn't you?! I knew the servant couldn't be trusted! And now look at what's happened! You're a seductress, an evil siren who has stolen from me not only my wife but now my son!"

>>9832
"Don't be ridiculous, Hideyoshi-san. If you would simply calm down and look at things rationally, you'd see that what you are saying doesn't make any sense. Master keys would have been no help whatsoever for Kinzo's study or the boiler room, and all of us had alibis for the last few murders.

If you're going to present a theory, you should at least have some kind of rational evidence. One could say that this murder is entirely your fault, as these two wouldn't have left the room if you hadn't been making these baseless accusations."

I look around to see if there is a gun anywhere, and also examine George's corpse.

>>9833
Aside from George in a pool of his own blood, the hallway is empty.

George's corpse has a single wound from a gunshot. Nothing else seems out of order.

Hideyoshi does not exactly take well to your comment. "There's nobody else here in the hallway! George died as soon as he stepped out here with her! She's obviously the culprit! No amount of reasoning will deny that. Opportunity is denied to anyone else!"

>>9834
"Denied to anyone else? What about Genji-san, whose location is unknown? Not to mention the fact that several murders have occurred up until now which can only be explained by an culprit outside our group!

Besides, if Shannon is the culprit, then what weapon did she use exactly? I don't see any gun around here, do you? Well, you can feel free to search her if you like, but I highly doubt you're going to find anything. How would she have concealed a gun from us for all this time anyway?"

>>9836
"A search and an interrogation? Very well. Natsuhi? Kyrie? Can one of you please take her into the room and search her? Make sure to be very thorough."

They nod in agreement and go to walk back into the room. As Kyrie leads the way in, she stops the others and points over to an end table. Following the direction of her finger, you see a letter sitting on the table.

>>9837
I quickly grab the envelope, open it and read the letter.

The letter reads as follows:

"I am disappointed in you all. You still have not yet solved the riddle of the epitaph. Until you do so, the deaths will continue until none of you remain. Surely you don't want that to happen, right? You should all be more than smart enough to solve it. You wouldn't want to lose to some dead man's riddle would you?

>>9842
I show everyone the letter.

"This is interesting, isn't it? It's like, even though the culprit is committing these murders according to the epitaph, they are challenging us to find another meaning that can overthrow the interpretation they are following.

Krauss-san, Natsuhi-san, Hideyoshi-san, Kyrie-san...you were all discussing the epitaph last night, weren't you? Did you make any progress? Working on this seems like a reasonable way to pass the time if we're going to be stuck in here anyway."

>>9846
"First of all, let me say that I know for certainty that that letter was not in the room before George and Shannon left. That means that there is probably an accomplice among our group who is working with the culprit. Unfortunately, there appears to be no way to prove who that accomplice is, only that the first few to leave the room after the gunshot sound did not place the letter.

As for the contents of the letter, didn't grandfather say last night that the solving of the epitaph would decide who would be the next head of the family? If these murders are the method to solving the epitaph, doesn't that pose two problems?

1) There aren't enough people for victims for multiple attempts to solve the epitaph
2) Kinzo is among the deceased. From what he said last night, it appears he had no intention or expectation of dying.

Those points aside, we concluded last night that there are quite a few oddities in the epitaph. It constantly appears to make reference to forges. For instance, 'steel is my body and fire is my blood' or, say, 'I have created over a thousand blades.' The troublesome arguments start coming when we reach 'unknown to death, nor known to life" where it seems that it may fit in with these murders. Lastly, 'so as I pray' leads us to believe there may even be a religious implication.

What are all of your thoughts regarding the epitaph?"

>>9848
"Oh, I agree. However, it seems that we can eliminate the possibility that the culprit believed the solution to the epitaph to be something along those lines, since this letter clearly acknowledges that the solution is something that we can find for ourselves.

In that case, even the culprit themselves doesn't believe that the epitaph was meant as an invitation to murder. The question then becomes: if they are aware of this, then why are they committing these murders in accordance with the epitaph? Do they hope to threaten us into solving the epitaph for them? Then why kill Kinzo, the one who knew the answer? Perhaps there are multiple schemes going on here.

But personally, I have no idea how to try solving the epitaph as a traditional riddle. We don't even know what form the solution would take. Well, we can probably assume that it points to some location or hidden device. If the answer was just a word or phrase or something, then there would be no way for the culprit to know if we solved it.

With that in mind, it would seem like each of the lines might refer to a location where we could find a clue. "Steel is my body and fire is my blood" certainly seems to point to the boiler room, and it seems that the culprit used this interpretation as well. But I don't remember seeing anything suspicious there.

Considering what you just pointed out about the "So as I pray" line, it would seem that Squitcher-san's idea about the chapel might be worth checking out after all...But, perhaps it isn't worth the risk of leaving this room. What do you think, everyone?"

>>9850
None of the NPC's seem to know exactly what to do. The fact that there is likely an accomplice is a rather frightening fact, but they still think staying together may be safer.

Then, Hideyoshi speaks again. "Right, if you can solve the epitaph then the culprit will leave us alone? If you guests want to leave then we can make sure no one leaves after you. That way, at the very least, if the accomplice is among us, then we can assure they won't be able to interfere with you. Even then, I doubt they would make efforts to stop you from solving the epitaph, assuming that that is what they want you to do anyways.

>>9851
"It seems there's no point discussing any further. But, before we go, Natsuhi-san, Kyrie-san, could you take care of searching lil' Shannon like we planned to do ? Maybe it will ease the paranoia of some people around here. Oh, and Shannon, I'd like to ask you before, we still haven't heard your side of the story here ? What happened ? "

I approach Erika and whispers to her

"Could you check this area out, like for anything remotely looking like a trap ? It's an hypothesis worth checking out, and I'm trusting your senses"

>>9940
The search does not find any gun in Shannon's possession.

"I'm not quite sure exactly what happened. George-sama and I were running around the corner and he suddenly stopped immediately following the gunshot sound. By the time I realized what had happened, I looked up to try to see the killer. I only caught a glimpse of white. It must have been him, the man in the portrait above the epitaph."

>>9941
"Huh. You mean white hair uh ? It couldn't be...
Well, whatever, we'll see about that later."

I inspect the hallway and the doorway. Does anything sticks out ?

>>9944
The doors are all shut and nothing is out-of-place.

>>9940
I thoroughly inspect the hallway where George was found, looking for hidden devices or traps.

>>9948
There are no hidden devices or traps in the area.

>>9949
"Well then...Squitcher-san, what do you think about Hideyoshi-san's proposal? I know you went and got the key to the chapel, and personally the idea of just staying holed up in here for hours on end doesn't seem particularly appealing to me. Do you think that we should go and check it out?"

>>9950
"I've thought of going there since I've heard about it, so, of course I'm willing to go. Though, first, I've got two things to do."

I inspect George's clothes and body to see if he possess anything of interest

"Just to make sure. And secondly, I don't think it'd be safe to just let everyone in any room like that with the killer around."

I address the group.

"So, for your own safety, I recommend locking yourselves up in the old man's study, seems like it's the safest room here, and if the killer is an outsider and alone, he shouldn't be able to reach such a room without the key, but I guess the previous murder disproves this somewhat, but whatever, it's still the safest place. Right ?
Me and little miss blue will lead you to the room and lock you there, and we'll hold on to the keys."

I face Erika and take out the study's key.

"Hey kiddo, you've still got the key right ?"

>>9955
Nothing of interest is found on George.

The NPC's nod in agreement and agree to lock themselves up in the 3rd floor study.

>>9957
I lead the way to the study with Erika.
Once inside, I check the room to see if anything changed, the corpse, the windows, the window latches.
Also, I check to see if the ground below the window to see if the muddy water's still there.

>>9959
Everything is unchanged. Rudolf's corpse is still in the same place.

>>9960
I'll check to make sure I still have the other study key, as well as Genji's master key, just in case.

"To the chapel, then?"

>>9967
They are in your possession

Shall we move this along and move you right to the chapel?

You get an umbrella or two and make your way through the forest. The directions you were given were spot on and you no find yourself in front of the chapel door. It's locked, but you have the key in your possession and use it to enter.
____________________________________________

https://www.youtube.com/watch?v=Dlr90NLDp-0
Some solemn background music just to set the mood.

The inside of the chapel is arranged like a Catholic Church. The pews are placed in rows with two separate columns, creating a pathway between them. Down the path, at the end of the Church, you see the chancel (a stage of sorts where the rites are performed). On the stage you see the altar (a table), the tabernacle (a golden container that is nailed to the floor), and several unlit candles. Against the wall there is a rather large cross. It is a simple design cross (just the shape itself, it lacks any image of Christ on it) made of what appears to be some sort of metallic material.

The building itself is rather clean, not a spot of dust to be found. Perhaps the master was sure to have this building cleaned regularly.

Just please confirm that we properly locked the study before leaving

>>10061
"Hmf, rich people's tastes"

I inspect the altar, the inside of the tabernacle and the cross. Anything sticks out ?

And then I'll do a general inspection of the whole place.
Oh, and how many windows are there ? How many exits ? And are they entirely intact ?

>>10062
Yes, of course. You were sure to check that the windows and door were properly locked on the 3rd floor study.

Everything in the chapel is intact. The entrances and exits comprise of several windows in the back, a few windows on each side (the windows on the side are stained glass), and the main door from which you entered.

The cross seems to stand out the most, as there is a line running down the wall on each side of it. Upon closer inspection it looks like the piece of the wall to which the cross is mounted is not entirely stationary. Perhaps it can spin to reveal a hidden doorway or maybe something on the wall behind the cross...

>>10065
I fiddle with the wall on which the cross is mounted, trying to push it on an end, pulling it, etc... To make it spin

>>10069
The wall spins around to reveal a crucifix (a cross that has the image of Christ on it). The corpus is that of a statue on the cross. Metallic nails protrude from the wrists and feet.

The tabernacle is empty.

>>10172
I inspect the corpus, fiddling with the nails

>>10177
Upon closer examination you find the steel nails are in fact removable.

>>10179
I proceed to remove them and I'll hold on to them for now. Anything else ?

>>10203
The nails slide out and you pocket them. You hear something mechanical release, but you fail to see any change in the surroundings. You don't notice anything else regarding the crucifix.

>>10220
"Eh ? What was that ?"
I do another inspection of the chapel for good measure, if nothing of interest is found, then I'll inspect the building's surroundings.

>>10224
Nothing appears to have changed in the chapel.
Upon your second search you take note of a few things you initially missed. The row of pews are labeled by 10's rather then 1's and there is an odd metal plate built into the altar.

How many rows is there in total then ?
Also I'll try to see if I can push/remove the metal plate, or if there's anything on it of interest.

>>10236
There are ten rows on each side. Labeled from 10 to 100.

The circular indented plate built into the altar doesn't seem to react by pushing it.

>>10237
I snap out of my inexplicable trance and review everything that's just happened in my head.

"So, pulling the nails out of the cross triggered something? Perhaps the line on the epitaph, 'Unknown to death nor known to life', was meant to point to that cross? I wonder if there are other things in this place that correspond to different lines?

I feel like "I have created over a thousand blades" could have something to do with the numbering of those rows of pews, but...no matter how you look at it, there's no way those can add up to 1000, right?"

I'll leave the chapel and thoroughly inspect the surroudings.

>>10238
You find nothing of interest outside of the chapel.

>>10239
And no, nothing written on the plate.

>>10239
I inspect the chancel. Anything of interest?

>>10242
Besides the altar all you find noteworthy is the unlit candles scattered around.

>>10243
I inspect the candles more closely.

>>10245
All the candles are somewhat unused. They are placed on top of a candle stick with a circular base. The metal on the bottom of the candle stick seems to be different then the rest. Near the candles are some matches.

>>10247
I'll try to use one of the matches to light the candles.

>>10248
You successfully light the candle.

>>10249
"Hm, I was sure that would do something...These matches have to have been here for a reason, right?"

I do another search of the chapel to check whether anything has changed.

>>10250
Nothing appears to have changed. You take note that for each row of the pews there are ten seats and there is a book for each seat.

>>10251
I take a closer look at the books.

>>10252
You pull out one of the books and take a look. It seems to be a classic bible. In fact all of them are the same book. You fail to find anything of importance in the book you grabbed.

>>10253
"Hm. I wonder if we're meant to take out some of the books according to some pattern. It probably has something to do with the way the pews are numbered..."

I'll look at the pews in more detail. (When you said "there are ten rows on each side", did you mean ten rows of ten on each side, or ten rows of five on each side making ten rows of ten in total? And are the 10-100 labels on both sides, or only on one? Which one? How exactly are the books 'assigned' to each seat; are they inserted into the backs of the seats? The fronts?)

>>10254
There are ten rows of ten on each side. The 10-100 labels are on both sides mirroring one another. The books are found in the back of the seats in front of them. Excluding the front seats which are underneath. There are ten cushions/seats for each row and a book in front of each one.

>>10255
"Eh, then if we add all the numbers on the pew it gives us 1140, that's over thousand, isn't it ? Though I have no idea what do to of it.
And also, by simple mathematics, there's 200 Bibles in total, and as much seats. Damn, that sure is a lot of books for such a small chapel on a private island, was Kinzo really expecting so many people here ?"

>>10257
"I highly doubt he was expecting anyone to actually use this place for its conventional purpose...I wouldn't be surprised if the whole layout of this chapel only exists for the sake of the riddle.

I think your counting is off a little, though, Squitcher-san? That should be 1100, not 1140.

Also, considering the way the pews are numbered, it would seem that each seat on each side represents a number from 1 to 100, like so. I'm not sure how exactly where we're meant to go from there, though...Maybe there's still a hint we haven't found yet."

>>10258
>>10257
I don't want to give hints but you may be over-thinking things here.

Did you try searching each book?

>>10297
Normally I would be against it. However the players seem to be stumped so I don't mind.

Upon searching every single book the detectives come to the 10th book in the 100th row on the right side. The book had been hollowed out and they discover a white sword hidden inside.
Although calling it a sword may be exaggerated. This like a replica and would be better described as a dagger from its stature.

The other detectives who searched the left side of the pews then came across another dagger, this one being black. The daggers fit each other so well one could say they were originally whole.

Sadly, to the detective's dismay, discovering these blades does not activate anything or change the scenery in anyway shape or form.

Sorry I didn't know. I will wait until then.

>>10298
I'll listen to the strange voice in my head and try putting the swords in the hands of the corpus.

>>10300
You attempt to place the swords in the hands of the corpus but to no avail. When you inspect the hands closely you notice the holes the nails were once in appear to be more like a slit than a hole and you slide the blades in.

After stabbing the hands you hear a solid click from inside the tabernacle. You inspect it again and discover there was a false bottom that has now popped open. Inside there appears to be slots that look perfect for the nails you originally removed from the corpus...

Squitcher takes the nails and inserts them into the holes. Upon doing so you you hear a loud mechanical click from under the floor. The sound of rock grinding against rock is heard and it is unmistakable that something occurred, however you still cannot visibly see any changes to the chapel.

Your instincts tell you there is only one more piece to this puzzle.

>>10301
"I have created a thousand blades" = Look in the 10th seats of the rows marked 100 (100x10=1000) to find blades.

"Unknown to death, nor known to life." = There is a hidden wall with a corpus behind the cross.

"Have withstood pain to create many weapons." = Stab the hands of the corpus with the blades, causing pain.

"Yet those hands will never hold anything." = Remove the nails from the hands, insert them into the slot revealed by the previous line.

Therefore, only the last lines remain.
"So as I pray,
Unlimited Blade Works."

The last line probably doesn't mean anything; I think that "So as I pray" is what's important.

In other words...the altar."

I push the metal plate built into the altar.

>>10304
"Well, I was gonna do that anyway, but I hadn't caught up on the relation to the epitaph. Good job there."

>>10304
It depresses but nothing else seems to happen. Upon letting go, it returns to its original position. Surely there must be something else to this part.

>>10306
I'll examine the tabernacle more closely. Is there any obvious place either inside it or nearby that the candles I lit earlier could be placed? I'll also try experimenting with putting the candles in different locations in general.

>>10307
No need to be that vague, imo you should know where to put the candle already. Just read all the descriptions again if you really don't.

>>10307
You find that the candle's base is a perfect fit for the circular plate on the altar. Once the candle is placed on the plate, you hear a great rumbling sound. The floor on which the table sits shifts forward, revealing a staircase leading down.

>>10308
I take some candles and lit them on the altar, then push it again.

>>10309
>>10310
Well, nevermind that then.

"That is some intricate mechanism. Makes me all the more curious. Well, shall we go ?"

I follow the stairs.

>>10311
Sadly I don't know what happens from here on out and Rudolf is in class. You will have to wait a bit.

You follow down the stairs for what feels like an eternity. It is almost as if you've crossed over to some distant world. Spiraling ever downward, you eventually reach what is the bottom of the stairs. A long hallway presents itself, at the end of which is a grand set of double-doors. A large plaque sits above the door, displaying words in a foreign language.

>>10313
"Ha. So these are supposed to be the gates of hell, are they? Well, I'm not going to be turned back by something like this. After all, I came all this way to uncover the secret Kinzo-san was trying to hide. To fail to do so would be an unforgivable shame for a detective, one whose duty is to find the truth behind all mysteries...!"

I open the double doors.

>>10314
"Lose all hope, ye who enter. This place ain't losing its fanciness. Let us enter"

I follow Erika

https://www.youtube.com/watch?v=0J5LF2Udf20

The doors are opened to reveal all which you expected. You step through the opening and immediately spot it. Gold, a giant mound of gold, sits in the center of the room. Ten tons of gold ingots, the supposed gold of Grandfather Kinzo, a legendary treasure which, until now, had no proof of even existing. This was it, this was proof that you had succeeded where all others had failed. You solved the epitaph, and are now the rightful heir of the Ushiromiya family's vast wealth. Simply amazing, it takes all of your self-control to not simply jump onto the gold pile and hug it.

This should solve it. All the conflict and death should be over. Victory is sweet and glorious, and this is your greatest victory.

You bask in the glimmering glow of the golden ingots. But wait, that's right. You need to go get everyone else. They need to know of your success. Yes, you should make haste back to the room in which you bound them.

[end music]

Just then, you hear a noise. Footsteps echo through the door from which you came. The sound of a single pair of hands clapping: deliberately, slowly, dramatically.

A familiar voice, that of a former fellow comrade, calls out: "Good, good. Very good." It couldn't be, it shouldn't be, nay, it is simply impossible. You hear the voice of the deceased detective.

>>10316
"To...Tomitake ? What.. the... hell...? What are you doing here ?"

You turn towards the door to see the source of the noise. To your surprise you see that some change in apparel has occurred, as he walks through the door.

>>10317
"Ey there Squitchy boy! You all did better than I expected. The fire was actually the blood or otherwise wine of Christ and the Steel was his flesh/bread."

I raise my Winchester rifle and point it at the group.

"Now back away from the gold."

>>10319
"Ha, so that's how it is, is it? Very original, a stunning twist...! This truly isn't a third-rate mystery after all. I have to express my thanks to you for making this so interesting.

As for the gold, you don't have to worry about that. My goal was only to solve the riddle - the reward for doing so holds no interest to me beyond confirming that I found the solution."

I back away from the gold obediently.

>>10319
"Heh, can't say I ever got that part of the Bible,the hostie always tasted like shit at the mass anyway. Guess I've never been fit for Christianity, and now it came to bit me back in the ass.

... Well that's fancy seeing you here, you seem to have changed quite a lot since the last time we saw each other, I mean, disregarding the blood and fancy knives, you're looking better than before... Got a new haircut ? Now you really should tell me where you found such a good hairdresser on this private island.
You know, instead of raising a gun at me. You're making me pretty uncomfortable there.

>>10321
"Well it's not too hard is you know the right person. Not to mention the price of your soul is pretty cheap in the long run, you even get the bonus of rising from the dead.

Enough with the chit chat. You too Squitchyboy! Back away from the gold."

>>10322
"...Tch. You're really serious about this aren't you ? Scary..."

I back off the gold as well.

"I'm not that interested in money, but I wouldn't spit if you graciously decided to offer me an ingot, you know."

>>10323
I walk over to the gold while keeping an eye on the detectives.

"Nice try, but this is just business for me. I guess you can say I have a quota to fill... and letting you leave isn't really part of it."

I move my hand over and pick up one of the ingots to inspect it.

>>10324
You take your attention of the detectives in order to inspect the gold. You confirm that it is without a doubt real. Taking your left hand off the gun you attempt to lift one of the ingots. Each about 10 kilos. It would be rather hard to move all of the gold let alone off the island.

>>10324
"As expected from my rival. Truly excellent! I have to admit I underestimated you. Yes, I see, you must have used Kinzo's corpse to fake your death...or perhaps Genji's? Either way, now it makes perfect sense how you were able to commit murders despite everyone having an alibi. And I'm sure you could have gotten into Kinzo's study, too. Weren't you sneaking around the courtyard yesterday, trying to find a way up to the third floor?"

I attempt to keep him distracted by talking, while looking around the room for anything that could be used as a weapon.

>>10327

"Sigh... You're always so energetic.
So, big man, what's the big deal ? You're in some pinch ? I can sure help you out with that you know, I've always been an expert at getting out of impossible situations, even if it sometimes means losing all dignity, come on, since our friendship is so great, it'd be a shame to not rely on it, right ? "

I reach my pocket where my lighter is and hold it firmly, while concentrating heavily on Tomitake's body language and mannerism.

>>10327
A closer survey of the room yields you these results: there is a bed in the room off to the side, there is a seating area that has a table and a few chairs in a corner of the room, there is a nice grandfather clock against the wall, there is the gold pile in the center of the room (heavy, blunt objects), it looks like there is some sort of mini-liquor cabinet opposite the seating area (it's closed at the moment), and there is the door you came in through.

>>10327
I continue to inspect the gold while keeping and eye on Rika.
"A sharp one aren't you? Heh, since you will never find the answers to that I will let you know that is a passing grade at most.

>>10329
The man you once knew as Tomitake has a large grin on his face. However you can notice some relieve mixed in with his reaction.

"Who knows? It won't be any of yours business anyway."

>>10331

I stay silent, and I observe the man previously-known as Tomitake. What is he paying attention to ? Where is his gun aimed at ? Is he standing ? What is the distance between us ?

>>10332
The man is currently paying attention to Rika, however changes his gaze to Eccica who continues to remain mute.
His gun is currently aimed at Rika. He is standing near the pile of gold, which is around 4 meters away from where you are.